Heidegger's Interpretation of Plato as the Genesis of the Question of Art
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Abstract
The present article analyzes the different interpretive possibilities of Heidegger´s Der Ursprung des Kunstwerkes conference, with the purpose of clarifying the reasons and the sense of the heideggerian´s boarding of artistic phenomenon in the decade of thirty. In this way, the work exposes an analytical route centred on Plato’s rereading that the author takes forward in 1931, trying to establish a correspondence between art, politics and philosophy. To take to end the proposed aims, they turn out to be nodose to dismount and to arrange the different drafts of the conference, as well as his attachés and epilogues.
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