Pound and Pasolini without Style
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Abstract
This study deals with the two fundamental lines that merge together to show the specifi city of Pasolini’s writing. Pasolini’s position strives to be completely free Pasolini nor Pound. The latter falls into a fascist hell but seems to manage, breaking barriers and havin justifications. While Pasolini maintains a painfully lucid line, leading him to perpetually ponder and doubt. His poetry searches on the surfaces and depths of good and evil. He looks into the relationship with power; into the endless source of multiple languages or dialects that renew the past.
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