Review of Modalidades de memoria y archivos afectivos: Cine de mujeres en Centroamérica - Ileana Rodríguez

Article Sidebar

PDF (Español (España))
Published: Jan 16, 2024
Updated: 2024-01-16
Versions:
2024-01-16 (2)
DOI: https://doi.org/10.7764/Aisth.74.18
Keywords:
Ileana Rodríguez, Women cinema, Central American cinema ILEANA RODRÍGUEZ, CINE DE MUJERES, CINE CENTROAMERICANO

Main Article Content

Héloïse Elisabeth Marie-Vincent Ghislaine Ducatteau
Sciences Po Paris campus de Nancy
https://orcid.org/0000-0002-0129-9679

Abstract

San José, CIHAC/CALACS, 2020, 100 p, https://repositorios.cihac.fcs.ucr.ac.cr/repositorio/handle/123456789/590

Downloads

Download data is not yet available.

Article Details

Issue
No. 74 (2023): Aisthesis 74
Section
Reviews
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.

The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles

 
Author Biography

Héloïse Elisabeth Marie-Vincent Ghislaine Ducatteau, Sciences Po Paris campus de Nancy

Profesora de alemán en Sciences Po Paris campus de Nancy

Doutora mag. en culturas europeas

  • Ducatteau, H. E. (2022). O ensino de alemão em contexto universitário: modalidades, desafios e perspectivas Dörthe Uphoff, Luciane Leipnitz, Poliana Coeli Costa Arantes, Rogéria Costa Pereira (sous la direction de) São Paulo, Humanitas, 2017. Educazione Interculturale, 20(1), 135–136. https://doi.org/10.6092/issn.2420-8175/14980
  • Héloïse Elisabeth Ducatteau, « La Guerre Civile dans le cinéma espagnol de la démocratie », Cahiers de civilisation espagnole contemporaine [En ligne], 28 | 2022. https://doi.org/10.4000/ccec.13599
  • Héloïse Elisabeth Ducatteau, « Écrire le traumatisme. Mémoire féminine de la guerre d’Espagne », Cahiers de civilisation espagnole contemporaine [En ligne], 27 | 2021. https://doi.org/10.4000/ccec.12327 

 

References

Referencias

Cabezas Vargas, Andrea. Cinéma centraméricain contemporain (1970-2014): La construction d’un cinéma régional: mémoires socio-historiques et culturelles. Thèse de doctorat en arts, Bordeaux, Université de Bordeaux III - Michel Montaigne, 2015. https://tel.archives-ouvertes.fr/tel-01298559

Cortés Pacheco, María Lourdes. La pantalla rota. Cien años de cine en Centroamérica. Fondo Editorial Casa de las Américas, 2005. https://hdl.handle.net/10669/82043

––. «Zentralamerika auf Zelluloid». Zentralamerika heute: Politik, Wirtschaft, Kultur. Ed. Sabine Kurtenbach et al. Vervuet, 2008, pp. 643-657. https://publications.iai.spk-berlin.de/receive/riai_mods_00001126

Navitski, Rielle. «“A la conquista de un sueño”: Historiografía y preservación del cine en Nicaragua. Entrevista con Karly Gaitán Morales». Vivomatografías. Revista de Estudios sobre Precine y Cine Silente en Latinoamérica, nº 4, 2008, pp. 298-311. http://www.vivomatografias.com/index.php/vmfs/article/view/197