Words in the Camera Obscura (about the Poetry of Augusto de Campos)
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Abstract
This essay analyzes the work of Augusto de Campos and his relationship with visual poetry. Starting from the Brazilian poet's use of the black page to compose his poems, it proposes a reading of his work in relation to the legacy of Mallarmé and his idea of writing. Subsequently, starting from the idea of the materiality of poetic language that is at the heart of Augusto de Campos’ poetic project, the passage towards a haptic dimension that occurs in his poems, especially in “Anticéu” (“Anticielo”) of 1984, is proposed.
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References
Referencias
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Campos, Augusto de. Lenguaviaje (Antología). Ediciones Biblioteca Nacional, 2017 (hay reediciones: Bogotá, Universidad de los Andes, Ediciones Uniandes, 2019 y Madrid, Libros de la Resistencia, 2020).
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Freud, Sigmund. «La pizarra mágica». Obras completas, tomo XIX. Amorrortu, 1992.
Kenner, Hugh. The Poetry of Ezra Pound. New Directions, 1952.
Mallarmé, Stéphane. Divagaciones. Pontificia Universidad Católica del Perú, 1998.
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Wall-Romana, Christophe. «Mallarmé’s Cinepoetics: The Poem Uncoiled by the Cinématographe, 1893–98». PMLA (Publications of The Modern Language Association of America), 2005.
Material audiovisual
«O Pulsar de Augusto de Campos con música de Caetano Veloso» en plataforma YouTube: https://www.youtube.com/watch?v=Hlgkz-g-ukc