“Down there, in the ragged folds of its sun: prowls and nooks in Fanon City Meu, by Jaime Huenún.

Abstract

From reading the poems Fanon City Meu this study aims to develop a reflection on the logic that governs the dystopian space designed by Jaime Luis Huenún in the book and, also, corroborate how the imaginary subverted in the poetry collection is representative in his capacity chronotopic regarding contemporary reality in Latin America and Chile. Therefore, the same work is interpreted as a literary element which drives a critical look not only focused on the indigenous discourse, but can also be referring to a subaltern reality glocal, and to project a transition between a micro space one more macro.