The Tribu No and CADA: neovanguard and (e)utopia as a preamble of what’s to come

Abstract

This article pretends to place to Tribu No as the first neovanguardian chilean group, connecting it with latinoamerican contemporary groups like Nadaístas, Tzántzicos and Hora Zero. At the same time, in the national context and later dictatorship, it proposes its influence to Colectivo Aciones de Arte (CADA), because they share the complaint and used some soports (milk, urban space, photographs, etc.) and historical, identity and aestehtics search.