DOI: https://doi.org/10.7764/ais.58

Published: 2015-12-31

Articles

Heidegger's Interpretation of Plato as the Genesis of the Question of Art

Ignacio Soneira

11-27

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The Standpoint of Discursive Subjectification and the Perspective of the Impersonal

Juan Antonio González de Requena Farré

29-44

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A Trembling Voice: Music and Self-affection in Jacques Derrida

Cristóbal Durán

45-58

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“Then I wanted to smoke”. Opium in César Vallejo and Pablo Neruda: Asian Roads of Experimentation

Francisco Leal

59-80

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Territories of Violence in Detective Novels and Narco- Literature in Latin America: Mario Mendoza, Peter Elmore and Alejandro Páez

Danilo Santos López

81-109

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Figures of Violence in Argentine Contemporary Narrative

María Stegmayer

111-124

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Art and the Subversion of Archive

Andrés Maximiliano Tello

125-143

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Artistic Boundaries in Baldomero Sanín Cano’s Essays on Art and Aesthetics

Efrén Giraldo

145-171

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Antonio Smith (1832-1877): a Proposal for Cataloging his Artwork

Lorena Villegas Medrano

173-195

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Developing Citizenship Through Art Education and Educational Heritage. Urban Identities in Latin American

Ricard Huerta

197-220

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Ways of Looking / Ways of Doing: From the Camera to the Body

Óscar Cornago

221-236

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A Theoretical Frame for a Study of the Script in the Chilean Cinema: Preliminary Notes

Rubén Dittus Benavente

237-254

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Chilean Cinema in Two Phases: for a Reading About the Displacement From the Theatrical Picture to the Cinematographic Frame

Marcela Parada Poblete

255-278

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The Documentary, Between Definitions and Indefinitions

José Rojas Bez

279-312

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Reviews

Tecnologías del cuerpo. Exhibicionismo y visualidad en América Latina

Dámaso Rabanal Gatica

315-317

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Religious Objects in Museums: Private Lives and Public Duties.

Lily Jiménez Osorio

319-323

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Dossier

Dossier: Pier Paolo Pasolini y las artes: vigencia estética y política

Pablo Corro Penjean

327-328

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Persistence and Centrality of the Desert in Pier Paolo Pasolini's films

Pasolini

Pablo Corro Penjean

329-336

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Aesthetics and Politics in the Writing of Pier Paolo Pasolini

Raquel Olea

337-344

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Pasolini / Performativity / Politics Life as a Work of Art

Francisco Albornoz

345-351

Intermedial Figures in Teorema

Wolfgang Bongers

353-361

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Animality in Pier Paolo Pasolini’s Films

Valeria de los Ríos

363-370

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The Cinema of Poetry in Pasolini, Bolaño and Scherson

Patricia Espinosa H.

371-377

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Pasolini and Zurita: Food Torture

Magda Sepúlveda Eriz

379-388

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