La ciudad: ritmos y narraciones cotidianas

Abstract

The rehearsal, The City, Rhythms and Daily Narrations, he/she makes a historical journey of the city from the first ones that

were founded in half fertile moon, being considered the first of them Jericó, until the contemporary Ecumenópolis.

The author leans on in Chueca Goitia’s theories, Peter Hall, Castell, Thin Manuel, George Duby, among others. This way it

is able to consolidate their proposal, which consists on presenting the city like that dynamic, changing cultural space, full with

rhythms and transformations, until being constituted in the spaces of cultural integration that exist at the present time.

This way, the city, was being configured until becoming in kind of a salvation for the humanity. In this sense, it is that the

course should be observed of happening urban: since the first towns arise due to the necessities of the men and the women,

until the appearance of the cities like forms of human expression. He/she is born, then, the educating city, narrated politics,

dreamt, imagined, and that he/she gives configuration to the rhythms and daily narrations here expressed.